Azerbaijan’s centuries-old history, highly developed culture and invaluable heritage captures the minds and hearts of both Azerbaijanis and foreign scholars and specialists in various fields of science and culture. This is how colorful Azerbaijan has attracted the attention of recognized Swedish photographer and director Mikael Silkeberg, whose work covers a broad range of photographs from films and theatrical productions, portraits of artists, landscapes, commercial and royal commissions, some of which have been exhibited in Stockholm and Paris at different times.

Traveling to numerous countries around the world, Mikael has created some impressive works. But it was the Land of Fires that captured the photographer’s heart once and for all and led to the creation of films ‘The Legend of Kharibulbul’ and ‘Odin’s Code’.

Mikael Silkeberg talks about his work and upcoming projects in an interview with AZERTAC.

– Mikael, where did interest in Azerbaijan come about?

– In 2021 in Istanbul, during a trip for medi
a representatives, I met the father of my friend, journalist Rahim Saribayli, who lives in Stockholm, and he offered me to accompany him to Azerbaijan. In general, I have always been interested in the history of eastern countries through which the Silk Road passed and cultures were exchanged through trade, and I happily agreed. Having arrived in Azerbaijan, I was truly amazed. In tolerant Azerbaijan, I saw a mixture of religions and cultures. I was touched by responsive and hospitable people, felt their incredible kindness which I have not experienced anywhere else in the world. I grew up in Denmark, and it was like coming home for me. I was also impressed by the country itself where Europe meets Asia. You can see a lot of interesting things on such a small territory – both ancient and modern. A completely different world opened up to me in Azerbaijan.

By that time, it was already possible to visit Shusha, and while there I was also impressed. I wanted to learn more about the outstanding people of the cultur
al capital of Azerbaijan. When I started to study the works of Natavan and Vagif, I was absolutely delighted. I was also fascinated by ghazals as a form of poetry.

I admire the Azerbaijani people for their endeavors to rebuild Karabakh after the horrible devastation. This people have faith in the future and optimism. There is an understanding that people who were once forced to leave their homes must return there.

– So that was your first trip to Azerbaijan. Impressed by what you saw, what did you decide for yourself?

– It was important for me as a photographer to document the process of reconstruction of Karabakh. And I did that. I subsequently organized an exhibition in Stockholm’s Old Town, which was timed to coincide with the anniversary of the Khojaly tragedy. It was also important for me to convey the pain of this tragedy to the Swedes, who find it very difficult to understand how such a large number of people can become homeless in a short time.

While in Shusha, I wondered why all the stories I hea
rd there were so familiar to me. I grew up in Denmark, and I know that Hans Christian Andersen often used the images of the rose and the nightingale in his fairy tales. These characters and symbols are used to express tragic feelings. And the flower Kharibulbul, the symbol of Karabakh, is very similar to these images. As a result, I made a film called ‘The Legend of Kharibulbul’, which tells about the mugham and outstanding personalities of Shusha. It was my first film, and it was demonstrated in 50 embassies of Azerbaijan.

The film also talks about my trip to a country I didn’t know. I feel like a stranger everywhere. When I lived in Denmark, I was Swedish, so I wasn’t one of them. When I moved to Sweden, I wasn’t one of them either because I was Danish. I has a sense of belonging when I was in Azerbaijan. I experienced a connection with this country.

– You have made another film about Azerbaijan, ‘Odin’s Code’, which will be shown at ADA University on April 30. Tell us about the idea behind the film.

– M
y second film ‘Odin’s Code’ is about the connection between Scandinavia, Central Asia and Azerbaijan, and about the observations made by Thor Heyerdahl. I talked to many researchers in Sweden, Norway, Denmark and Azerbaijan, and I noticed that there was an incredible gap in knowledge. There are runic memorial stones in Gripsholm Castle that have a text carved on them. It reads about the Caspian Sea disaster. But researchers only talk about traders keeping the route to the West, few talk about the route to the East. There are clear connections, but no one wants to see them. Uppsala University scientists studying petroglyphs focus only on trade with England, where there were deposits of tin, although the same deposits were available in Kazakhstan. One gets the impression that scientists resist establishing a connection with the East. Close links can be seen between symbols, burials, petroglyphs, rock paintings in Gobustan and in Scandinavia.

In Swedish textbooks, one can find extensive information about the hi
story of 500 years ago, but hardly any information about the events and processes that took place 2,000-3,000 years ago, when Odin’s people emigrated to Scandinavia from Azerbaijan. This becomes clear when one finds oneself in Azerbaijan and meets the Christianized Udin people in Gabala. It becomes obvious that migration has given us culture and religion. This is the code of Odin. Gaps in knowledge of history can be filled by visiting Azerbaijan.

I am impressed by how educated Azerbaijanis are and how much knowledge they possess. I was pleasantly surprised to learn that there are lectures about Astrid Lindgren and Hans Christian Andersen. They know a lot about directors Lukas Moodysson and Roy Andersson, they know a lot about Swedish culture. I really feel at home there. The younger generation is studying hard, no one is forcing them, and they are aiming to receive a good education.

I am glad that ‘Odin’s Code’ will be shown at the university.

– Are there any new projects in your plans?

– After the demons
tration of the film at ADA University, I will go to Nakhchivan to shoot a new film where there are many interesting places. I plan to start the film with the myth of Noah’s Ark and also talk about the Turkic-Mongolian conqueror Tamerlan. The working name of the film will be ‘In the Footsteps of Noah’. My first films were shot in Sweden, Norway, Denmark and Azerbaijan, but this movie will be shot only in Nakhchivan, and in all probability it will be shot by September. The premiere is planned here in Stockholm.

– It is quite noticeable that Azerbaijan is in your heart. Have you ever thought of moving there?

– Yes, I would really like to live there, but I think that if I move there, everything will turn into a routine. This is the problem of the Swedes. They don’t realize what a paradise they live in. Yes, Sweden is a distant northern country with cold and boring seasons, but it has a very interesting culture and there are so many interesting places there. But we take it for granted. The last wilderness in the
world is in Lapland, but we go to Canada and Alaska. I think that if I move to Azerbaijan, I may experience the same effect. I can do a lot more from here.

Source: Azerbaijan State News Agency